This 1995 solo exhibition at Mira Fine Art, located on Flinders Street in Melbourne, featured a body of work exploring identity, bureaucracy, and constructed memory. A central installation presented a room of fabricated ID cards — created in the studio using materials at hand and manipulated photographs of the artist’s own face. These imagined postwar Greek identities blurred fact and fiction, evoking the fragility of official records and the ways identity is shaped by history, state authority, and personal narrative. Alongside these, mixed media works incorporating fragments of official documents extended the inquiry into themes of displacement, authorship, and archival distortion.
